This post was written by Contributing Author Alex Ho, who teaches in the Center for Ethnic Studies at Borough of Manhattan Community College (BMCC).
When I worked at the Museum of Chinese in America, we would use one of the first photographs of San Francisco’s Old Chinatown, “An Unsuspecting Victim” by Arnold Genthe, to show how an author’s intent through what they choose to show and to hide and to editorialize would affect the impression a photograph could give a viewer. The photograph is stripped of the other white Americans, darkened, and given dimensions much more familiar to our vertical-video smartphone world. It jibes with a persistent fantasy about ethnic enclaves like Chinatown–that they are mysterious and dangerous for white America. Continue reading